Cities of Conviction

27 Aug 2017 - 6 Jan 2018

Utah Museum of Contemporary Art, Salt Lake City, USA

Day One 16
Day One 94
Day One 75
Day One 8
Day One 3
Day One 194

Curated by:

Jared Steffensen, Curator of Exhibitions at Utah Museum of Contemporary Art

Organised by:

CULTURUNNERS as part of the Bridges Tour

Al Harmain Highway, from Desert of Pharan, Evolution of Man and Antenna featured in this group show as part of the CULTURUNNERS US Tour. The exhibition explored connections between the religious cities of Salt Lake City, Medina, and Makkah.

The common histories of these cities extend well beyond issues of faith. Cities across both Utah and Saudi Arabia arose from the desert; have laws driven, in large part, by the predominant religion, and at first blush have comparatively conservative cultures. Also, they have a youth culture pushing the boundaries of their culture through relentless individual expression while maintaining a sense of community.

These cities’ growth is limited and defined by their natural boundaries, valley walls, uninhabitable terrain and mountains; and both possess economies driven by access to natural resources. The discovery of oil in Saudi Arabia propelled its expansion, at times erasing architecture and history in favor of a more cosmopolitan feel, as evidenced by the commercial development projects being constructed around the sites of pilgrimage. This phenomenon is mirrored in recent debates over land use and energy resources across the state of Utah, from Bears Ears National Monument to the development of City Creek Center and the high-rise condominiums that literally look down onto Temple Square.

Cities of Conviction presented works from artists who are engaged in looking at the struggles and transformations of their society and delving into complex issues that link Utah and Saudi Arabia, such as oil, pilgrimage and tension surrounding commercial development around important cultural and religious heritage sites. From sacred lands to the way society condemns or accepts religious practices, each unique culture connects to one another in a variety of ways.

The artists included in Cities of Conviction use the visual language of art to explore the pertinent cultural issues facing Saudi Arabia and her citizens. They, as do many Utahns, question the long-term stability of relying on non-renewable resources to fund transformation. As Saudis inch towards a more globally-influenced culture, Salt Lake’s Latter-day Saint communities are moving towards accepting a more globally-influenced Salt Lake City, as the influx of new residents from all over the world changes the cultural landscape of Utah.

This exhibition sought to create an open dialogue about our understanding of Saudi faith and culture, as well as our own – and what these changes could mean for the citizens of Saudi Arabia and Utah.

Contemporary art has always been at the heart of these human connections, bringing to the forefront the most pressing issues of our national and global cultures


Kristian Anderson, UMOCA Executive Director of Cities of Conviction
2017
arrow-down icon arrow-left icon arrow-right icon carousel-left icon carousel-right icon close icon facebook icon grid icon instagram icon letter icon mail icon mute icon search icon twitter icon unmute icon youtube icon